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Prakash Bal Joshi  

Prakash Bal Joshi began drawing the moment he got hold of a chalk and slate and he drew a zero before writing down the first alphabet. Primarily a self taught artist, he spent a long time working on natural forms and through sheer observation and practice, mastered the finer nuances and subtleties of abstract art forms.

As a painter, he is spontaneous and his work is the culmination of deep thought process posing basic fundamental questions regarding his own existence. He switches effortlessly from using a pen to write his inner thoughts and observations to a pencil or a brush to express much more complicated inner turmoil. He has been holding pen and pencil together for more than three decades Joshi's keen sense of observation also comes from being a veteran Mumbai based journalist who worked with several national publications including The Times of India. Having renowned painter Ara as a guide and father figure, he has developed his own style of expression. His ink pen lines on paper as well as brush strokes on canvas are equally spontaneous and powerful.

Two sharply crafted books, Maitrinichi Goshta ( A Friend's Story) in 1984 and Gateway in 1993,show a sensitive writer grappling with the complexities and contradictions of an urban lifestyle. Both the books are interspersed with thought-provoking sketches .

His first solo show at Artist's Centre, Mumbai in June 2006, “Gateway” included drawings in ink and abstract paintings based on inner perceptions of nature. Here, landscapes and human figures intermingle to form their own unique shapes and textures. Reflecting an inner turmoil, the paintings basically revolve around the eternal dilemma : who am I and why do I draw.

His work was part of a group show ´Explicit-Implicit” organized at Gallery-G, Maini Sadan - ,Bangalore and received good response . He has been invited by Gallery Vernissage in Osijek city , Croatia, to participate in an exhibition in July 2009 .

His work Igatpuri rains 1995 and Deep Blue have been selected for inclusion in a art book International Contemporary Masters 2009 , to be published by Omma Center of Contemporary Art

 

His two works “Mating rituals” and “ Flow over Mountrain” were selected for international group show held at Southern Nevada Museum of Fine Art , Las Vegas, Nevada, USA .

Despina Tunberg curated the exhibition in which 20 internationally acclaimed artists participated.
Joe Palermo, director of the Southern Nevada Museum of Fine Art, has liked his work which will become part of permanent collection of the Museum, an honour for the artist .

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Previous Works :-
Nature by Shubha Gokhale  
           
 
           
           
           
           
 
           
 
           
           
           
           
   
Media
Date Publication Details
     
     
25-Jun-2009 Sakaal Visit of Sushilkumar Shinde, Minister of Power
     
16-Jun-2009 Kesari Exhibition of paintings by Prakash Bal Joshi
     
13-Jun-2009 Pudhari Exhibition of paintings by Prakash Bal Joshi
     
09-Jun-2009 DNA A brush with words
     
05-Jun-2009 Sakaal Times Worship Water
     
28-May-2006 Janmabhoomi Janmabhoomi Gujarat Article
     
24-May-2006 DNA Artist shows Mumbai moods on canvas
     
23-May-2006 Asian Age Asian Age Journalist picks up paintbrush for city
     
23-May-2006 Lokmat Lokmat Article
     
     
     
     
     
     
     
     
     
     
 
Artist Statement :  

Words and images have been an inseparable part of my life for as long as I can remember. They have always played a pleasant game in my life, complementing each other almost at all times. Their relationship never ceases to amuse me. In fact, my love affair with these two began way before I even became aware of their indispensable presence. When one failed, the other rushed to my succor.

Often, when words are inadequate or fail to keep with the pace of my mind, I suddenly switch over to lines and inadvertently so and vice versa too. A glimpse at my college note books is a testimony to this complex process.

In fact, nothing better explains this progression than the book, "Gateway" which is one of my humble efforts at vindicating this complex process. I penned down my impressions about people and places in Mumbai and sketched images of the complexities of urban life. I do not recollect what came first- whether sketches or words. But then, none of them was meant to precede the other. It had to be a mixed process switching between words and lines to be able to best express myself.

Writing, drawing and painting are passions closest to my heart. I am often asked what makes me pick up a brush or a pencil and what makes me draw or paint. But, it seems like it is the most difficult philosophical question I am faced with.

When I stand before an empty canvas, there is an urge, an instinct, to fill up the space. The canvas is no more a piece of paper but a universal void, emptiness, silence. It screams to be pampered, to be filled. And then, when my brush finally marries the canvas, there is complete oneness, advaitva. The end result is the outcome of this complex process.