| Anwar Husain |
A sensitive mind, Anwar has always painted his inner expressions and clearly belongs to that rare genre of artists who paint what truly is their calling. In the last ten years he has been painting, he has created a distance base of collectors and art connoisseurs who have been following his progress and new works. Anwar has worked on several themes till date which include a series on Indian Classical Musicians which is done with his own special rendering of overlapping colours, creating a variety of tonality and movement through lines and textures.
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| Kishor Ranadiwe |
Born in 1952, Kishor Ranadiwe completed his G. D. Art from Sir. J. J. School of Art, Mumbai and was priviledged to be a disciple of master artists such as Shri. Shankar Palshikar and Shri. Haldankar. He has been painting for more than 25 years as a full time artist and has his paintings in the collection of several art collectors as well as corporate houses. Several of his painting series including "Realisation", "Himalaya", "Music" have won critical acclaim. His choice of medium has been primarily oil, however he has also used mixed media for several of his works. His works on the themes "Flute" and "Realisation" are filled with vibrant colours and a deep sensitivity. |
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| Chitra Vaidya |
An avid painter, Chitra Vaidya likes to explore themes and subjects in a special way so as bring to life the essence and ethos of her subjects, which have been very diverse as can be seen from her portfolio.
Hailing from the illustrious Wakankar family, Chitra aims to carry forward the rich legacy of her grandfathers, one of whom (Shri. Vishnu S. Wakankar) is best known for his highly acclaimed work relating to discovery and research on the cave art at Bhimbetka; whereas the other one (Lipikar Shri. L. S. Wakankar) was known for his pioneering work in Calligraphy.
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| Vijay Kulkarni |
Vijay Kulkarni who studied fine art at Sir J. J. School of Art, Mumbai decided to dedicate his life to Ajanta paintings at an early stage in his professional painting career. The Ajanta frescoes are amongst the highest pinnacles achieved by Indian fine arts in its long, continuous march from pre-historic cave paintings to the contemporary art of the present day. Enough has been written about them – the masterful line-work, natural colours, primitive tools, the forms, the composition, the delicate delineation of emotions. In these dark caves with uncertain reflected lighting, a whole school of painting richly records the contemporary social mores, and in the tales depicted, the highest and noblest aspirations of mankind. |
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